Showing posts with label story collections. Show all posts
Showing posts with label story collections. Show all posts

Tuesday, August 12, 2008

A Better Angel - Chris Adrian

Let’s face facts, people. I, your humble typist, am not even close to being cool*. I’m not on top of the latest music, the hippest fashion, or the coolest drugs*2. The only arena (save for comics) that I can pretend to know about is books. As a bookseller in various capacities for the last 7+ years I’ve seen thousands of titles pass my way. I’ve even read some of them*3. However, even when it comes to books, I still fall a bit short of ‘guy you want at your ‘altbook goth poetry slam and appletini mixer’*4.

I’ve gotten weary over the years, especially of hype and marketing. It’s engendered in me no small amount of Bestseller Backlash*5. This extends to lesser-known authors in a ‘coolness mutation’ of the disease (which explains why I’m so McSweeney’s/New Directions/SoHo Press deficient). This mutation kept me from reading a book called The Children’s Hospital, written by Chris Adrian. It sounded good, I wanted to read it, and then at least four co-workers had to tell me just how good it was. This sort of thing has kept me from Murakami, Marias, Marquez*6 and other ‘M’ name authors.

Time went by, The Children’s Hospital stared at me accusingly each time I unpacked it from a Perseus Distribution box, and I got on with life. Then, as if by magic (or the weekly galley box sent to each Schwartz store from the home office), I saw a book by Chris Adrian with my name on it.

Did I dare? Well, yeah, or I wouldn’t be writing about it. I tore through Adrian’s collection of stories, A Better Angel, and soon after felt like the last guy to insist that the Earth was flat*7. From the first story on it’s evident that Adrian has an envious amount of creativity and an admirable grasp of his characters’ motivations and viewpoints.


Make no mistake; these aren’t quirky slices of life or faith-affirming meditations on mankind’s foibles. What’s in this book, in every story without exception, is sadness, nearly incommunicable rage, twisted pathos and the ever-present specter of death. Having never read Adrian before, I was surprised to say the least. There are elements of the fantastic and the supernatural in many cases, but they serve as a means to explore a reality that’s been turned upside down.

The central question in so many of the stories in A Better Angel is “How does a person deal with death?” The death of loved ones, the death of innocence, the death of spirit in the face of atrocity. The answers proffered won’t help you sleep better at night, but they will make you think hard about your own response to tragedy. This book is not a positive coping mechanism; quite the opposite, it is a rage-filled howl against the inadequacy of emotion and the way in which terrible events weigh down everyday lives.

A Better Angel is definitely not for the faint of heart; it is for the questioners and the seekers who are open to plumbing the depths of anguish and living in the chilly recesses of tortured minds for the space of a story now and then.

*I’m not fishing for compliments here. It’s a simple statement of fact. Let it be.

*2 No “meth-mouth” for me, thanks. Drugs are bad. You heard it here first.

*3 Not many classics, too much genre trash, and a fair amount worth recommending here and on The Inside Flap.

*4 Catch the next mixer at Recreational Sherpa’s; Milwaukee’s newest indoor rock climbing center and pub house! Located in the basement of the third crack house on Cambridge, just off the corner of Brady and Farwell. $5 cover, Tuesday night rails are only $2 until 10pm. Can’t relate to having a street with at least three crack houses in your city or town? Good for you.

*5 A particularly virulent book-borne form of elitism that causes sufferers to recoil from any book that comes highly recommended by any print or online publication (except The Inside Flap), or sells a lot of copies.

*6 “It’s Garcia Marquez, jerk!” I’m aware, but go into any bookstore and you’ll find him shelved in both ways. I don’t make the rules, I just bend them to make weak alphabet jokes.

*7 I know; I seem to start a fair amount of my book recommendations by saying that I held off on reading a book and found I was wrong to do so. What can I say? I spend a lot of time being stubborn and wrong. I could have just come out and said as much, but who am I; Georgia’s senior Senator, Saxby Chambliss*8?

“I don’t know what I’m doing here either. While I’ve got your attention; don’t vote for that Barack Hussein Obama feller. He’s a ‘risky’ choice. I hope you take my Southern Strategy meaning when I say ‘risky’.”

*8 I actually know next to nothing about Saxby Chambliss or his reading habits, save for that he’s a Republican and therefore alternates The Bible and Ann Coulter and is most likely evil. Plus, he’s got an ‘old money’, funny-sounding name worthy of mockery.

Tuesday, November 27, 2007

God Is Dead - Ron Currie, Jr.

No, it's not Christopher Hitchens' latest position paper; it's an innovative collection of short stories woven around the powerful titular premise. The strangeness inherent in God Is Dead is owed to the fact that though God is dead (a victim of the genocide raging in Darfur), we're still here. Surprisingly, the end of God does not mean the end of the world, though some of the characters in the book behave as such and some would be better off if it were. Taking up several viewpoints amid the aftershocks caused by the death of the most unifying (and divisive) force in human history, Ron Currie, Jr.'s book doesn't shy away from bold speculation and surreal satire.


The questions raised by the death of God are nearly infinite. To accept the death of God, you have to accept the existence of God. What's worse, the death of your god, or knowing that He was alive and you didn't believe when you had the chance? If there is no more God; what of Heaven? Where do believers turn now? Do they worship their children? Do they worship the dogs who feasted on God's corpse and gained a strange humanity? Do they worship tenets of philosophy, new schisms forming to take the place of sectarian hatreds? Do they succumb to the futility of life and seek its end now that there is no purpose (as hidden as that purpose may have been when He was still alive)?

Some authors would approach these issues with gentle ruminations; some with understated character studies. Luckily, Currie does us all a favor and turns the wheel hard, landing in a ditch of crazed imaginings, bold-faced irreverence and the audacity necessary to make you think without worrying about the consequences of your conclusions.

For more book recommendations, industry news, interviews and opinions open up: The Inside Flap

Thursday, October 4, 2007

What's Next? Adventures In Sequential Art

What's Next? Adventures In Sequential Art

Join Workshed Studio (Sawdust: The Workshed Anthology), John Porcellino (King-Cat Comics), and Max Estes (Coffee and Donuts) at:

Harry W. Schwartz Bookshop
2559 N. Downer Ave.
Milwaukee, WI 53211
414-332-1181
jjohnson@schwartzbooks.com

The assembled panel, myself included, will be holding forth on all manner of interesting topics such as:

Life, love, and the mentality necessary to independently produce comics.

Here's the press release...

What's Next? Adventures in Sequential Art

Sponsored by Harry W. Schwartz Bookshops and cream city review

How many ways can you tell a story? John Porcellino (King-Cat Comics), Max Estes (Coffee and Donuts), and members of Milwaukee's Workshed Studio (Sawdust) discuss their individual work, their varying creative processes, and the interplay of words and pictures in storytelling.

Monday, October 15, 7pm Harry W. Schwartz Bookshop, 2559 N. Downer Ave.
Website: insideflap.blogspot.com
Contact: Jay Johnson, jjohnson@schwartzbooks.com

414-332-1181

Workshed Studio (Justin Riley, Alan Evans, Randy Malave, Jr) is a Milwaukee-based comic book studio. They're the guys who read too many comics, watched too much television, snuck in to too many movies and even paid attention to those books without pictures. They hope to take equal parts pop culture, social relevance and homage to the history of comics and mash 'em together into a fully enjoyable storytelling paste. They recently published Sawdust, an anthology of their work. (workshedstudio.com)

John Porcellino (King-Kat Comics) was born in Chicago, in 1968. He began writing and drawing at an early age, compiling his work into small, handmade booklets. His first photocopied "zine" was produced in 1982, at the age of 14, and he began his current series, King-Cat Comics and Stories, in 1989. Since then, King-Cat has been his predominant means of expression. Drawn & Quarterly has published two of his books, King Kat Classix (2007) and Perfect Example (2005). Porcellino currently lives in Denver with his wife Misun, and a small black cat named Maisie Kukoc. (king-cat.net)

Max Estes (cream city review) is a Milwaukee-based graphic novelist and Comics Editor for cream city review. Top Shelf has published two of his books, Coffee and Donuts (2006) and Hello, Again (2005). Max's comics, artwork, and short stories have been published in Canada, England, Spain, and the United States in various art books and comic anthologies. He is also a part-time instructor at the Milwaukee Institute of Art and Design where he teaches Illustration and Sequential Art courses. (www.maxestes.com)

I've never met Mr. Porcellino or Mr. Estes, but am assured by a mutual acquaintance that neither gentleman harbors ill-will toward the general populace.

Monday, September 24, 2007

Meet Workshed Studio Wednesday, September 26th

Workshed Studio (myself, Alan Evans, and Randy Malave Jr.) will be signing copies of Sawdust: The Workshed Anthology and meeting some of the fine comic book-reading folks of Wisconsin on Wednesday, September 26th. Stop on by:

Neptune Comics
141 E. Sunset Drive

Waukesha, WI
1-262-544-2008


Unfortunately, we couldn't secure the pony ride permits, but it should be a fun time nonetheless. Festivities kick off at 6pm. Come talk comics and feed our egos.

Friday, August 24, 2007

'Sawdust: The Workshed Anthology' Update

Just a heads-up for all you readers in the Milwaukee area…

Sawdust: The Workshed Anthology is now available at:

Harry W. Schwartz Bookshop
2559 N. Downer Ave.
Milwaukee, WI 53211
414-332-1181
ondowner@schwartzbooks.com


Of course, you can still get it on the website as well.
www.workshedstudio.com
Thanks for the positive response.

Friday, August 10, 2007

Justin Pimps Yet Another Book.........This Time It's Personal!

As some of you may know, I do things other than read. Writing comics, for example. This week, I'm proud to announce the (self) publication of a trade paperback comic book collection I had a hand in. Sawdust: The Workshed Anthology is the collection of the four issue comic series of the same name put out by myself and the 'Shed Heads over the past year. It's chock-full of solid storytelling and eye-catching art; if you like action and adventure (ie. you are NOT a Jedi), check it out. Sawdust is available on the Workshed Studio web site (12 smackers and free shipping), Wizard World Chicago (special 10 buck convention price), and choice comic shops in the Milwaukee area (12 shekels and you get it with no waiting and a minimum of costumed fan interaction).

Still not convinced? Well, if you're in Milwaukee, here's some more food for thought...

Fun facts about Workshed Studio


-Workshed Studio is a group of local comic creators.

-Alan Evans (writer/artist Worldwide Solutions) was kicked out of The Taskmaster's Training School after repeatedly asking him to mimic wrestling moves.

-Radames Malave (writer/artist Ebon Guard) was convicted of a crime he didn't commit, but probably would have committed had he thought of it.

-Justin Riley (writer Worldwide Solutions, Fade) has all the rage of the Hulk, but none of the accompanying proportionate strength.

-No one at Workshed Studio has ever shot a man in Reno just to watch him die. Not in Reno.

-Workshed is based in Milwaukee, Wisconsin.

-Alan has encyclopedic knowledge of early gangsta rap, and will quote it extensively with no provocation.

-Radames "ain't scared of no ghosts".

-Justin doesn't feel sorry for anyone working on the Death Star. It's called THE DEATH STAR! Lousy fascist collaborators.

-No one at Workshed knows the meaning of the word 'quit'. We will be a buying a dictionary soon.

-Did we mention we're from Milwaukee?

-Alan owes a LOT of money to the 'wrong people', but would like to keep his thumbs. So buy the book, please.

-Radames once hired, and then promptly fired the A-Team when it became apparent that they couldn't shoot straight.

-Justin has danced with The Devil in the pale moon light, and doesn't see what the big deal is.

-Workshed loves you for your mind. Everything else is just gravy.

-Milwaukee, Milwaukee, Milwaukee!

I'm done whoring for now. Whoring for funnybooks, anyway.

Friday, July 13, 2007

The Collected Stories - Amy Hempel

These are stories that devastate you, and leave you in need of a stiff drink. Not exactly a feel-good comment on this collection, but I think it's entirely appropriate. Amy Hempel's writing is like a movie you fight tears through, or a song that reminds you of a personal tragedy. The characters within these stories are almost exclusively at their breaking points, or just beyond. It's in that melancholy space that Hempel operates to the greatest effect, inviting the reader to slip past battered defenses and bear witness to the pain and frustration resulting from disconnection and disillusion.

Engendering complicity with her readers in a way that seems voyeuristic yet compassionate is a magical feat on Hempel's part. You'd be forgiven for thinking that some of these stories are autobiographical; Hempel is that convincing in her first-person portrayals. The closest comparison I could make is Richard Yates' Revolutionary Road. But, where Yates tempers his story of suburban decay with wry comic tones, Hempel serves up the discord raw and bleeding, any trace of humor distinctly of the gallows variety.

This is a beautiful book with emotion to spare. When you're finished, I'll pass you the tissue and the bottle.